Object to Object 5 - Contextural Research 1

History of Kinetic Installation

Alexander Calder

mobile, abstract sculpture that has moving parts, driven either by motors or the natural force of wind. The word mobile was initially suggested by Marcel Duchamp for a 1932 Paris exhibition of such works by the American artist Alexander Calder. One of Calder’s first mobiles consisted of coloured spheres motorized to move up and down curving wires at different speeds. Later, he developed wind mobiles from flat metal shapes suspended by wires from movable rods, which allowed for rotation. The revolving parts created a new visual experience of constantly changing volumes and forms; Calder, as he expressed it, was “making one or two objects at a time find actual relationship in space.” Although experiments in kinetic sculpture with one moving element had been made in 1920 by the Russian-born artist Naum Gabo, Calder’s mobiles of the 1930s were the first full exploitation of the idea.

Works of Alexander Calder

Curly Blue Tail

This is a work by Alexander Calder that I saw at the PAD London exhibition.

When I saw it, I was first attracted by its shape, like a person standing on the table with staggered feet who is maintaining balance, and secondly by the way by which it is displayed, placed on a mirror whose reflection is also showing another angle of balance.

Curly Blue Tail,1967

Mobile c.1932

This is a work by Alexander Calder that I accidentally discovered when I was visiting the exhibition at Tate Modern. It hangs quietly from the ceiling, as if it blends in with its surroundings.

Mobile c.1932

Untitled，1931

Untitled，1935